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THE BOOKISH LIFE OF NINA HILL

Waxman has created a thoroughly engaging character in this bookish, contemplative, set-in-her-ways woman. Be prepared to...

Introverted Nina Hill, the only child of a single mother, is pulled—both kicking and screaming and passive-aggressively resisting—into a new family and a new relationship.

Nina likes “pinning things down,” being prepared in advance, and making a daily schedule. After working in the bookstore, she goes home to her cat, Phil, where she reads and bones up for her next trivia contest. Her static, well-regulated life is turned upside down when a lawyer contacts her with news about her father, though her mother had always claimed not to know who he was. Turns out he was wealthy, and he's left her something in his will. At the lawyer’s office, she meets the rest of the family, her half-aunts, brothers and sisters, nieces and nephews, some welcoming and others decidedly not. Nina wants no part of this family. Who cares what her father might have left her? No thanks! And then another intrusion appears in the form of a handsome man, captain of a rival trivia team. He’s too showy for Nina, and besides, he knows all the sports category answers, so she pegs him as a nonreader, a big turnoff. Nina wants only to be left alone. But Nina is not all rules and solitude. She has a spark, an imagination, and a sense of humor that make you want to sit with her and observe people over a cappuccino and pastry...while making wisecracks. She of course grows and opens her life to new experiences—her new family and, maybe, the trivia guy. Waxman (Other People's Houses, 2018, etc.) skillfully shows Nina's changing mindset in the hilarious schedules, complete with meal plans and shopping lists, she makes each day. If you love writing plans and sticking to them, you’ll love Nina Hill. If you roll your eyes at people who make daily schedules, you’ll love Nina Hill, too.

Waxman has created a thoroughly engaging character in this bookish, contemplative, set-in-her-ways woman. Be prepared to chuckle.

Pub Date: July 9, 2019

ISBN: 978-0-451-49187-9

Page Count: 352

Publisher: Berkley

Review Posted Online: April 13, 2019

Kirkus Reviews Issue: May 1, 2019

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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