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EVERY TIME I GO ON VACATION, SOMEONE DIES

Brightly written piffle. To use the heroine’s own bugaboo assessment: Meh.

A mystery writer’s celebration of the 10th anniversary of her fact-based debut novel entangles her in—spoiler alert—another murder.

A decade ago, Eleanor Dash partnered with dashing private eye Connor Smith to bring down an Italian crime family. Flushed with success, she wrote When in Rome, a novel in which she changed her name but not Connor’s; he responded by demanding 10% of her advance and then, when the book turned out to be a success, 20% for the eight novels in the series she’s published since then. Now a mystery tour of Italy, during which she hopes to work on her latest, Amalfi Made Me Do It, has reunited Eleanor and Connor, along with Harper Dash, the younger sister whose dreams of publishing her own novels have been put on hold indefinitely while she works as Eleanor’s assistant; Allison Smith, the ex-wife Connor hid from Eleanor during their romance back then; Oliver Forrest, the boyfriend Eleanor replaced with Connor at the time; and several other mystery novelists and their fans, including Crazy Cathy, who’s so persistent in her attentions that Eleanor has served her with an injunction. Eleanor loves her career, loves Italy, and loves both Connor and Oliver. Mainly, though, she loves herself and her prowess as a mysterymonger who turns out to be a lot less tricky than her models. Readers with a taste for self-reflexive self-infatuation are advised to skip the story proper—which takes an unconscionably long time to produce a corpse and even longer before Eleanor reviews the evidence and comes up with the wrong conclusion—and just read the 237 footnotes, many of them referencing other footnotes. How adorable is that?

Brightly written piffle. To use the heroine’s own bugaboo assessment: Meh.

Pub Date: April 30, 2024

ISBN: 9781250325853

Page Count: 352

Publisher: Minotaur

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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EVERYONE IN MY FAMILY HAS KILLED SOMEONE

This book and its author are cleverer than you and want you to know it.

In this mystery, the narrator constantly adds commentary on how the story is constructed.

In 1929, during the golden age of mysteries, a (real-life) writer named Ronald Knox published the “10 Commandments of Detective Fiction,” 10 rules that mystery writers should obey in order to “play fair.” When faced with his own mystery story, our narrator, an author named Ernest Cunningham who "write[s] books about how to write books," feels like he must follow these rules himself. The story seemingly begins on the night his brother Michael calls to ask him to help bury a body—and shows up with the body and a bag containing $267,000. Fast-forward three years, and Ernie’s family has gathered at a ski resort to celebrate Michael’s release from prison. The family dynamics are, to put it lightly, complicated—and that’s before a man shows up dead in the snow and Michael arrives with a coffin in a truck. When the local cop arrests Michael for the murder, things get even more complicated: There are more deaths; Michael tells a story about a coverup involving their father, who was part of a gang called the Sabers; and Ernie still has (most of) the money and isn’t sure whom to trust or what to do with it. Eventually, Ernie puts all the pieces together and gathers the (remaining) family members and various extras for the great denouement. As the plot develops, it becomes clear that there’s a pretty interesting mystery at the heart of this novel, but Stevenson’s postmodern style has Ernie constantly breaking the fourth wall to explain how the structure of his story meets the criteria for a successful detective story. Some readers are drawn to mysteries because they love the formula and logic—this one’s for them. If you like the slow, sometimes-creepy, sometimes-comforting unspooling of a good mystery, it might not be your cup of tea—though the ending, to be fair, is still something of a surprise.

This book and its author are cleverer than you and want you to know it.

Pub Date: Jan. 17, 2023

ISBN: 978-0-06-327902-5

Page Count: 384

Publisher: Mariner Books

Review Posted Online: Oct. 25, 2022

Kirkus Reviews Issue: Nov. 15, 2022

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