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LETTERS TO CAMONDO

A radiant family history.

Beautifully rendered recollections of a distant world.

In 50 imaginary letters to Comte Moïse de Camondo (1860-1935), a famed art collector and cultural benefactor, de Waal reflects on the meaning—to Camondo, to France, and to Jewish history—of the Musée Nissim de Camondo, which Camondo established in memory of his son, who died fighting for France in World War I. The author is related to the Camondo family “in complicated ways.” As he notes, “I can draw a family tree, possibly, but it would be a spider’s web” of intermarriages, with “whole branches” linking the Camondos and his own Ephrussi family, portrayed in his earlier book, The Hare With Amber Eyes. Arriving in France in 1869, both families lived near one another in a Parisian neighborhood that Jews saw as “secular, republican, tolerant, civilized”; where they felt insulated from pervasive anti-Semitism; and where they engaged in efforts “to align French and Jewish culture.” Camondo built an opulent mansion and staffed it with a coterie of servants to care for his leather-bound books, curated wine cellar, gilded 18th-century French furniture, and Sèvres porcelain. De Waal lovingly evokes the luxuriant textures and glinting surfaces of a rarefied ambience of “talk and food and porcelain and politesse and civilité”; where Camondo, born in Constantinople, strived for acceptance as a Frenchman. Yet despite his considerable philanthropy and his son’s sacrifice, Camondo could not escape the culture’s disdain of Jews as arrivistes, “social climbers, vulgarians, upstarts, status seekers, mimics. As Jews aspiring to the veneer and polish of the gratin and failing to disguise their origins.” He died before knowing how easily Vichy France complied with Nazi occupiers to rid France of Jews. More than chronicling the family’s splendor and tragic end, de Waal has created a deeply hued tapestry of a lost time and a poetic meditation on grief, memory, and the fragile consolation of art. The book is beautifully illustrated with color images from the museum and family photographs.

A radiant family history.

Pub Date: May 11, 2021

ISBN: 978-0-374-60348-9

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: March 22, 2021

Kirkus Reviews Issue: April 15, 2021

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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