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CHANGE

A sharp chronicle of status climbing and its consequences.

A child of rural poverty recalls his rise to literary fame and the intellectual class.

In his 2017 autofiction, The End of Eddy—a bestseller in his home country—Louis recalled a youth in northern France defined by poverty, racism, and violence. In this bracing sequel, Louis chronicles his escape from the upbringing he was so determined to leave behind. A bright but self-loathing gay adolescent, he’s quick to attach himself to anyone who praises him, so he bonds tightly with Elena, a classmate with well-read parents and respect for his intellect. With her encouragement, he leverages his gift for acting to find work in a theater and makes plans to head for Paris. There, with the help of a philosopher, Didier, he begins to gain entry to the city’s intelligentsia and crams to enter an elite school. Édouard (he’s rejected his birth name, Eddy) is stubbornly determined to make his name as a writer, but his achievements only rarely feel like triumphs; rather, he’s anxious at every turn about whether he’s smart enough to measure up, stalked by imposter syndrome, and aware that his lovers’ generosity has limits. (For a time he makes ends meet as a sex worker.) Nor can he shake off his family’s judgment of him as a snob-in-training. “If you make it in you’re saved,” he tells himself about his efforts to enter the school, but his acceptance is a Pyrrhic victory. Even as he begins hobnobbing with wealthy men and begins his successful career as a writer, it’s clear that his craving for acceptance and approval, literally beaten into him as a child, has yet to be entirely overcome. Louis’ storytelling, in Lambert’s deft translation, is clear and intellectually robust but captures a tone of fear and anxiety; what he often calls “revenge,” even on a family that might deserve it, is a corrosive feeling.

A sharp chronicle of status climbing and its consequences.

Pub Date: March 5, 2024

ISBN: 9780374606800

Page Count: 256

Publisher: Farrar, Straus and Giroux

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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MIND GAMES

A touching story of love and grief ends in an epic battle of good versus evil.

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Roberts’ latest may move you to tears, or joy, or dread, or all three.

Every summer, John and Cora Fox visit Cora’s mother, Lucy Lannigan, in Redbud Hollow, Kentucky, leaving their children, 12-year-old Thea and 10-year-old Rem, for a two-week taste of heaven. The children love Grammie Lucy far more than John’s snooty family, which looks down on Cora. Lucy, a healer with deep Appalachian roots, loves animals, cooks the best meals, plays musical instruments, and makes soap and candles for her thriving business. Thea—who’s inherited the psychic abilities passed down through the women of Lucy’s family—has vivid magical dreams, one of which becomes a living nightmare when a psychopath robs and murders John and Cora as Thea watches helplessly. Thea’s description of the killer and her ability to see him in real time help the skeptical police catch Ray Riggs, who goes to prison for life. Although Thea and Rem go on to have a wonderful childhood with Grammie, Thea constantly wages a mental battle with Riggs, who tries to use his own psychic abilities to get into her mind. Over the years, Thea uses her imagination to become a game designer while the more business-minded Rem helps manage her career. Thea eventually builds a house near Lucy, where a newly arrived neighbor is her teen crush, singer-songwriter Tyler Brennan. Tyler has his own issues and is protective of his young son but slowly builds a loving relationship with Thea, whose silence about her abilities leads to a devastating misunderstanding. At first Thea tries to keep Riggs locked out of her mind. As her powers grow, she torments him. Finally, she realizes that she must win this battle and destroy him if she’s ever to have peace.

A touching story of love and grief ends in an epic battle of good versus evil.

Pub Date: May 21, 2024

ISBN: 9781250289698

Page Count: 432

Publisher: St. Martin's

Review Posted Online: March 23, 2024

Kirkus Reviews Issue: April 15, 2024

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