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MOOD SWINGS

An off-kilter, hauntingly hilarious debut novel.

Barnet presents a canny portrait of the doomscroll generation, set in an absurdist near-future world.

Jenlena is 21 when animals finally seek vengeance on humans. After creatures of all sorts start attacking people around the world, California billionaire Roderick Maeve funds the development of a sonic signal that kills each and every animal on Earth. Jenlena and her best friend, Daphne, emerge into Quebec’s new normal with English degrees and little sense of purpose: Jenlena takes to stealing and reselling houseplants (which have become a stand-in for pets) and acting as a dog for hire for lonely customers, while Daphne works at a coffee shop and navigates dating a canceled musician named Jordan. Looming in every corner of this increasingly dreadful society, wracked by environmental disasters and political turmoil, are the Moon Bethlehems—a radical cult determined to save the planet. When Jenlena begins sleeping with the Roderick Maeve, the cult enemy no. 1 who is dead set on making time travel a reality, she is swept up in his exceptional privilege. This is a sharp satire of a hyperonline culture, with genuinely moving insights into modern inequality and climate crisis throughout. “We’ve all become like someone on their deathbed, calling up our old transgressions and making apologies,” Moon Bethlehem mouthpiece (and Jordan’s ex-girlfriend) Moon Cicero says. “It’s pretty easy, really, when you’ve got no real intention of changing. You know you don’t have to because you haven’t got the time.” Jenlena and her friends epitomize the wild oscillations between naïveté and cynicism that can define young adulthood, and, while each character is ridiculous at times, they are all delightfully multidimensional. In an apt formal choice, Barnet peppers in the “mental pollution” (as one character calls it) of the online world: she includes tweet-style posts and Instagram-angled poems (as well as a couple of pages of animal doodles and one single photo of Ted Cruz). This book is a great choice for fans of Patricia Lockwood’s No One Is Talking About This (2021).

An off-kilter, hauntingly hilarious debut novel.

Pub Date: May 21, 2024

ISBN: 9781662602597

Page Count: 304

Publisher: Astra House

Review Posted Online: March 23, 2024

Kirkus Reviews Issue: April 15, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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LONG ISLAND

A moving portrait of rueful middle age and the failure to connect.

An acclaimed novelist revisits the central characters of his best-known work.

At the end of Brooklyn (2009), Eilis Lacey departed Ireland for the second and final time—headed back to New York and the Italian American husband she had secretly married after first traveling there for work. In her hometown of Enniscorthy, she left behind Jim Farrell, a young man she’d fallen in love with during her visit, and the inevitable gossip about her conduct. Tóibín’s 11th novel introduces readers to Eilis 20 years later, in 1976, still married to Tony Fiorello and living in the titular suburbia with their two teenage children. But Eilis’ seemingly placid existence is disturbed when a stranger confronts her, accusing Tony of having an affair with his wife—now pregnant—and threatening to leave the baby on their doorstep. “She’d known men like this in Ireland,” Tóibín writes. “Should one of them discover that their wife had been unfaithful and was pregnant as a result, they would not have the baby in the house.” This shock sends Eilis back to Enniscorthy for a visit—or perhaps a longer stay. (Eilis’ motives are as inscrutable as ever, even to herself.) She finds the never-married Jim managing his late father’s pub; unbeknownst to Eilis (and the town), he’s become involved with her widowed friend Nancy, who struggles to maintain the family chip shop. Eilis herself appears different to her old friends: “Something had happened to her in America,” Nancy concludes. Although the novel begins with a soap-operatic confrontation—and ends with a dramatic denouement, as Eilis’ fate is determined in a plot twist worthy of Edith Wharton—the author is a master of quiet, restrained prose, calmly observing the mores and mindsets of provincial Ireland, not much changed from the 1950s.

A moving portrait of rueful middle age and the failure to connect.

Pub Date: May 7, 2024

ISBN: 9781476785110

Page Count: 304

Publisher: Scribner

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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