A stunning, engaging subversion of the Bundy myth—and the true-crime genre.
This thinly veiled fictionalization of Ted Bundy’s attack on a Florida State University sorority begins with the horror rather than making it the climax.
As president of her sorority, Pamela Schumacher is used to staying up late to deal with paperwork while her sisters are out partying. The night of Jan. 15, 1978, is no different. Jarred awake at 3 a.m. after having fallen asleep with her clothes on, she hears running footsteps and sees a man heading for the front door. He can’t see her in the shadows—a fact that turns out to save her life, rendering her the only eyewitness to a horrible crime and a notorious criminal, “a man who murdered thirty-five women and escaped prison twice.” The novel goes on to follow several alternating timelines: From Pamela’s perspective, it builds from the day of the sorority murders and also follows her return trip to Tallahassee more than 30 years later in response to a mysterious letter. These chapters are interspersed with the 1974 story of Ruth Wachowsky, believed by her girlfriend, Tina Cannon, to have been one of the killer’s earlier victims. Knoll makes an interesting—and powerful—choice not to name Bundy at any point; Pamela asserts that she “vowed to stop using [his name]” because “there isn’t anything exceptionally clever” about him. Choosing not to name him deflates the myth of the monster, of the charmer, of the criminal genius that people often consider Bundy to be. As the title indicates, this novel belongs to the women: the ones killed because they were too kind to reject an “injured” man asking for help; the ones who lost people they loved; the ones who ultimately had to look him in the eye and not let it destroy their lives. There are twin threads of mystery that lead readers through the maze: the rumor of a suppressed confession tape and Ruth’s story. But in the end, it’s the latter that’s so much more important than the former. In this world of true-crime mania, Knoll knows that every choice—and every name—matters.
A stunning, engaging subversion of the Bundy myth—and the true-crime genre.Pub Date: Sept. 19, 2023
ISBN: 9781501153228
Page Count: 384
Publisher: Marysue Rucci Books
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
PERSPECTIVES
Answers are hard to come by in this twisting tale designed to trick and delight.
Three siblings on very different paths learn that their family home may be haunted by secrets.
Eldest daughter Beth is alone with her fading mother as she takes her final breath and says something about Beth’s long-departed brother and sister, who may not have disappeared forever. Beth is still reeling from the loss of her mother when her estranged siblings show up. Michael, the youngest, hasn’t been home since their father’s disappearance seven years ago. In the meantime, he’s outgrown his siblings, trading his share of the family troubles for a high-paying job in San Jose. Nicole, the middle child, has been overpowered by addiction and prioritized tuning out reality over any sense of responsibility, much to Beth’s disgust. Though their mother’s death marks an ending for the family, it’s also a beginning, as the three siblings realize when they find a disturbing videotape among their parents’ belongings. The video, from 1999, sheds suspicion on their father’s disappearance, linking it to a long-unsolved neighborhood mystery. Was it just a series of unfortunate circumstances that broke the family apart, or does something more sinister underlie the sadness they’ve all found in life? In chapters that rotate among the family’s first-person narratives, the siblings take turns digging up stories and secrets in their search for solace.
Answers are hard to come by in this twisting tale designed to trick and delight.Pub Date: April 30, 2024
ISBN: 9798212182843
Page Count: 270
Publisher: Blackstone
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
BOOK REVIEW
BOOK REVIEW
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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