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DOWN THE WELL

An inventive, multi-layered horror novel structured around a cryptic document.

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In Blackhurst’s debut horror novel, a lawyer attempts to understand a mass death event and avoid becoming one of its victims.

In 2017, two hunters in Kentucky came across a dead town; ‘dead’ in the sense that all of the residents—hundreds of them— seem to have been killed in a freak landslide. The event came to be known as the Carrington Tragedy, even though no one is sure that the town had been called Carrington (in fact, before the hunters stumbled across it, the outside world was entirely unaware of the town’s existence). The sole record of the town, and of what happened to it, is a series of 33 canvases, found buried in the rubble, on which a man called Richard Maltessouri had scribbled a difficult-to-decipher diary. The first entry begins, ominously, “I wish the marionettes would stop trying to break through the windows. Incredible. I’m not entirely convinced I’m still alive.” Though it’s unclear whether Richard was sane—or even real—his account implies Carrington suffered something closer to a massacre than a natural disaster, even if the claims in the barely legible diary (written in a hard-to-read paint called “tint”) are difficult to parse. Along with a colleague, lawyer Joseph Blackhurst travels to the Carrington site in an attempt to decrypt the demented diary, hoping that his efforts at transcription do not end, as previous attempts have, in catastrophe. The book is a metafictional puzzle, with two texts unraveling side-by-side: that of Richard Maltessouri and that of the fictional Blackhurst. The real-life Blackhurst writes them both with the kind of neurotic restraint that hints at larger, unspoken forces. “I should come clean,” confesses the character Blackhurst early on. “In a footnote, I wrote that no part of the Canvases would be edited or omitted during transcription to preserve a complete record of the evidence. However, certain inconsequential edits will be made at the decision of the Committee.” It’s a fun puzzle of a book, reminiscent at times of Mark Z. Danielewski’s work, creeping slowly from confusion to delightful terror.

An inventive, multi-layered horror novel structured around a cryptic document.

Pub Date: Dec. 19, 2023

ISBN: 9798988484318

Page Count: 304

Publisher: Self

Review Posted Online: Oct. 26, 2023

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  • New York Times Bestseller

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HOME IS WHERE THE BODIES ARE

Answers are hard to come by in this twisting tale designed to trick and delight.

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Three siblings on very different paths learn that their family home may be haunted by secrets.

Eldest daughter Beth is alone with her fading mother as she takes her final breath and says something about Beth’s long-departed brother and sister, who may not have disappeared forever. Beth is still reeling from the loss of her mother when her estranged siblings show up. Michael, the youngest, hasn’t been home since their father’s disappearance seven years ago. In the meantime, he’s outgrown his siblings, trading his share of the family troubles for a high-paying job in San Jose. Nicole, the middle child, has been overpowered by addiction and prioritized tuning out reality over any sense of responsibility, much to Beth’s disgust. Though their mother’s death marks an ending for the family, it’s also a beginning, as the three siblings realize when they find a disturbing videotape among their parents’ belongings. The video, from 1999, sheds suspicion on their father’s disappearance, linking it to a long-unsolved neighborhood mystery. Was it just a series of unfortunate circumstances that broke the family apart, or does something more sinister underlie the sadness they’ve all found in life? In chapters that rotate among the family’s first-person narratives, the siblings take turns digging up stories and secrets in their search for solace.

Answers are hard to come by in this twisting tale designed to trick and delight.

Pub Date: April 30, 2024

ISBN: 9798212182843

Page Count: 270

Publisher: Blackstone

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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