A significant study of children's “racialized emotions” during the Trump era.
An interview-based sociological study of the Trump administration’s effect on children’s views on racism and democracy.
Between 2017 and 2019, Hagerman, author of White Kids: Growing Up With Privilege in a Racially Divided America, interviewed 45 children in Mississippi and Massachusetts about their views on race during the Trump years. Her sample included children between 10 and 13 “across race and class groupings.” When analyzing her findings, she focused on children’s “racialized emotions,” seeking to find out “how young people feel race,” and noticed a strong undercurrent of fear. For nonwhite children, this fear was often rooted in anxiety about an increase in racial violence or “that their family members would be deported while they were at school.” While some white children shared these fears, others supported Trump’s policies because of their fear of nonwhite populations including Black, Middle Eastern, and Latine people. The author believes that this fear is rooted in white children’s anxiety about “losing power as a racial group as people of color make further advances in US society.” Put another way, “these kids want to continue to experience the pleasure of feeling superior.” Hagerman ends the book with a series of suggestions to combat “racial apathy,” which she describes as a lack of empathy that she noticed in some pro-Trump white participants. Above all, the author urges adults to address not just “how kids are thinking” but also “how they are feeling.” She believes that this combination is the key to combating racist attitudes in American children. Hagerman’s data is chillingly thorough, and her argument is well supported and convincing. Although the prose is sometimes overly academic, the content is strong enough to render this required reading for antiracist parents, caregivers, and allies.
A significant study of children's “racialized emotions” during the Trump era.Pub Date: May 14, 2024
ISBN: 9781479815111
Page Count: 256
Publisher: New York Univ.
Review Posted Online: Feb. 10, 2024
Kirkus Reviews Issue: March 15, 2024
BOOK REVIEW
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.
The comedian argues that the arts of moderation and common sense must be reinvigorated.
Some people are born snarky, some become snarky, and some have snarkiness thrust upon them. Judging from this book, Maher—host of HBO’s Real Time program and author of The New New Rules and When You Ride Alone, You Ride With bin Laden—is all three. As a comedian, he has a great deal of leeway to make fun of people in politics, and he often delivers hilarious swipes with a deadpan face. The author describes himself as a traditional liberal, with a disdain for Republicans (especially the MAGA variety) and a belief in free speech and personal freedom. He claims that he has stayed much the same for more than 20 years, while the left, he argues, has marched toward intolerance. He sees an addiction to extremism on both sides of the aisle, which fosters the belief that anyone who disagrees with you must be an enemy to be destroyed. However, Maher has always displayed his own streaks of extremism, and his scorched-earth takedowns eventually become problematic. The author has something nasty to say about everyone, it seems, and the sarcastic tone starts after more than 300 pages. As has been the case throughout his career, Maher is best taken in small doses. The book is worth reading for the author’s often spot-on skewering of inept politicians and celebrities, but it might be advisable to occasionally dip into it rather than read the whole thing in one sitting. Some parts of the text are hilarious, but others are merely insulting. Maher is undeniably talented, but some restraint would have produced a better book.
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.Pub Date: May 21, 2024
ISBN: 9781668051351
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: March 5, 2024
Kirkus Reviews Issue: April 1, 2024
BOOK REVIEW
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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