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PRIESTDADDY

A MEMOIR

A linguistically dexterous, eloquently satisfying narrative debut.

Awards & Accolades

Our Verdict

  • Our Verdict
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  • Kirkus Reviews'
    Best Books Of 2017


  • Kirkus Prize
  • Kirkus Prize
    finalist

A noted young poet unexpectedly boomerangs back into her parents’ home and transforms the return into a richly textured story of an unconventional family and life.

After Lockwood (Motherland Fatherland Homelandsexuals, 2014, etc.) discovered that her journalist husband, Jason, needed lens replacements in both his eyes, the pair “[threw themselves] on the mercy of the church.” This meant going to Kansas City to live with her mother and eccentric father, an ex-Navy man and former Lutheran minister–turned–deer-hunting, guitar-wielding Catholic priest. For the next eight months, Lockwood and Jason, who had met online when both were 19 and begun their peripatetic married life not long afterward, found they were like “babies in limbo”: dependent on parents after 10 years of living on their own. Throughout, Lockwood interweaves a narrative of those eight months with memories of her childhood and adolescence. Though not always occupying center stage, her father is always at the heart of the book. The author describes her “priestdaddy’s” penchant for creating “armageddon” with the guitar, which he treated like some illicit lover by practicing it “behind half-closed doors.” At the same time, she confesses her own uncomfortable proximity to church pedophile scandals and clerics that had been forced to resign. Lockwood treats other figures—like the mother who wanted to call the police after discovering semen on a Nashville hotel bed and the virgin seminarian “haunted by the concept [of milfs]”—with a wickedly hilarious mix of love and scorn. Yet belying the unapologetically raunchy humor is a profound seriousness. Episodes that trace the darker parts of Lockwood’s life—such as a Tylenol-fueled teenage suicide attempt; her father’s arrest at an abortion clinic sit-in; and origins of the disease and sterility that would become her family’s “crosses” to bear—are especially moving. Funny, tender, and profane, Lockwood’s complex story moves with lyrical ease between comedy and tragedy as it explores issues of identity, religion, belonging, and love.

A linguistically dexterous, eloquently satisfying narrative debut.

Pub Date: May 2, 2017

ISBN: 978-1-59463-373-7

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 6, 2017

Kirkus Reviews Issue: March 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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