A perceptive, radiant portrait of a writer of indelible consequence.
A feminist, activist, and prolific writer recounts her emergence from solitude and vulnerability.
“To have a voice,” writes Solnit (Whose Story Is This?: Old Conflicts, New Chapters, 2019, etc.) in her absorbing new memoir, “means not just the animal capacity to utter sounds but the ability to participate fully in the conversations that shape your society, your relations to others, and your own life.” As a young woman in San Francisco in the 1980s, Solnit lacked the “three key things that matter in having a voice: audibility, credibility, and consequence.” Instead, she felt silenced by a society that effaced women, circumscribed their freedom through harassment and violence, and insisted that they learn “deferential limits.” So she became expert “at the art of nonexistence, since existence was so perilous.” At 19, “young, ignorant, poor, and almost friendless,” Solnit was finishing her last semester at San Francisco State University, living in a dingy residential hotel, when she found an affordable, light-filled studio apartment. Furnished with pieces she found on the street or in thrift stores, the tiny apartment, where she lived for the next 25 years, became a refuge from a pervasive threat of violence. A joyous walker, she was often “followed and yelled at and mugged and grabbed.” In the news, movies, and TV, women were beaten, raped, and murdered by boyfriends, husbands, or serial killers: “Even if none of these terrible things happen to you,” writes the author, “the possibility they might and the constant reminders have an impact.” Books offered another kind of refuge where “I ceased to be myself, and this nonexistence I pursued and devoured like a drug.” Solnit traces her discovery of communities—artists, punk musicians, gay men and women—that sustained her and the people and places that inspired many of her books. Writing offered her a way of participating in the world, probing “what’s hidden beneath the assumptions or conventions,” illuminating forgotten people and places, and showing “how invisibility permits atrocity.”
A perceptive, radiant portrait of a writer of indelible consequence.Pub Date: March 10, 2020
ISBN: 978-0-593-08333-8
Page Count: 256
Publisher: Viking
Review Posted Online: Nov. 4, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
SEEN & HEARD
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