A fresh, indispensable look at the wide, multicultural world of Latine women writers.
A significant collection of Latine women voices across five centuries.
Inspired to “disrupt erasure and myths,” Guzmán, who comes from an Indigenous Caribbean clan, hopes these selections from 34 nations—translated from 21 languages, including 17 “native mother tongues of the Americas”—will establish “a new literary canon.” The work is divided into 13 sections, representing the 13 moons of the year. Thirteen, notes Guzmán, “is considered a sacred and holy number, and another word for ‘god’ in the Maya tradition.” In addition to Pulitzer Prize and National Book Award winners, poets laureate, a Nobel laureate, and international bestselling authors, Guzmán highlights many lesser-known names, such as the late Honduran water protector Berta Cáceres, of Lenca Indigenous descent, the winner of the 2015 Goldman Environmental Prize. In an excerpt from her acceptance speech, she urges her listeners, “Let us wake up! Let us wake up, humankind! We’re out of time. We must shake our conscience free of the rapacious capitalism, racism, and patriarchy that will only assure our self-destruction. Our Mother Earth, militarized, fenced in, poisoned, a place where basic rights are systematically violated, demands that we take action.” Some of the more famous names include Jamaica Kincaid, Giaconda Belli, Edwidge Danticat, Laura Esquivel, Audre Lorde, Sandra Cisneros, Anaís Nin (daughter of Cuban parents), Ada Limón, and Alexandria Ocasio-Cortez. Guzmán also includes the voices of trans and nonbinary writers. This post-colonial, inclusive compendium will be an excellent literary source for libraries and schools. Guzmán succeeds in her presentation of “a luminous universe of texts that navigate across time and space, genre, styles, and traditions,” and the book does indeed contain “the wisdom, memory, and DNA, or oral traditions more ancient than time itself.” Other contributors include Cristina Rivera Garza, Stephanie Elizondo Griest, Julia Alvarez, Ruth Behar, and Irma Pineda.
A fresh, indispensable look at the wide, multicultural world of Latine women writers.Pub Date: Aug. 15, 2023
ISBN: 9780063052574
Page Count: 496
Publisher: Amistad/HarperCollins
Review Posted Online: June 8, 2023
Kirkus Reviews Issue: July 1, 2023
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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