Dazzling characters front this quietly sublime period piece.
Moore’s debut novel zeroes in on one day at a South Carolina high school in 1970.
On a cool October morning, 16-year-old Rusty Boykin is ready for a midterm exam at Summerville High. The principal, however, sends him home to change his shirt and cut his hair, which are in violation of the school’s dress code. This prompts Rusty’s chance encounter with his crush, Sandy Welch, who, like some of her friends, is still reeling from her boyfriend’s fatal plummet off a bridge only a week earlier. Most of their fellow students, including the brainy new kid, Ollie Wyborn, are stuck in classrooms, worrying over quizzes and itching for the bell to ring. Summerville High has its share of subcultures, including bullies, so-called hippies protesting the ongoing Vietnam War, and teens just struggling to fit in. The school operates in a community of “backward” conservatives who resist full integration of Blacks and whites and scoff at such wild notions as “permissive parents.” The author brightens this story with an effervescent cast; a variety of students and teachers headline their own subplots or steal others’ scenes, as when a teenager sent to the principal’s office simply walks out the front door while Kevin Manigault, one of the few Black people enrolled at Summerville, suffers another student’s blatantly racist comments in silence. Moore makes historical nods to Vietnam and the counterculture with sincerity, depicting serious moments like a school administrator effectively harassing a “negative” student until he drops out. There’s nevertheless plenty of room for humorous morsels: In one scene, a teacher “clandestinely transfers his flask” to his sports coat; later, an office assistant hears one side of the police chief’s telephone conversation with the principal, consisting of “uh huh” on repeat. An unexpected turn in the latter half of the novel helps bring this eventful day (and copious subplots) to a gratifying close.
Dazzling characters front this quietly sublime period piece.Pub Date: March 31, 2023
ISBN: 9781685626112
Page Count: 230
Publisher: Austin Macauley
Review Posted Online: Aug. 21, 2023
Review Program: Kirkus Indie
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
A moving portrait of rueful middle age and the failure to connect.
An acclaimed novelist revisits the central characters of his best-known work.
At the end of Brooklyn (2009), Eilis Lacey departed Ireland for the second and final time—headed back to New York and the Italian American husband she had secretly married after first traveling there for work. In her hometown of Enniscorthy, she left behind Jim Farrell, a young man she’d fallen in love with during her visit, and the inevitable gossip about her conduct. Tóibín’s 11th novel introduces readers to Eilis 20 years later, in 1976, still married to Tony Fiorello and living in the titular suburbia with their two teenage children. But Eilis’ seemingly placid existence is disturbed when a stranger confronts her, accusing Tony of having an affair with his wife—now pregnant—and threatening to leave the baby on their doorstep. “She’d known men like this in Ireland,” Tóibín writes. “Should one of them discover that their wife had been unfaithful and was pregnant as a result, they would not have the baby in the house.” This shock sends Eilis back to Enniscorthy for a visit—or perhaps a longer stay. (Eilis’ motives are as inscrutable as ever, even to herself.) She finds the never-married Jim managing his late father’s pub; unbeknownst to Eilis (and the town), he’s become involved with her widowed friend Nancy, who struggles to maintain the family chip shop. Eilis herself appears different to her old friends: “Something had happened to her in America,” Nancy concludes. Although the novel begins with a soap-operatic confrontation—and ends with a dramatic denouement, as Eilis’ fate is determined in a plot twist worthy of Edith Wharton—the author is a master of quiet, restrained prose, calmly observing the mores and mindsets of provincial Ireland, not much changed from the 1950s.
A moving portrait of rueful middle age and the failure to connect.Pub Date: May 7, 2024
ISBN: 9781476785110
Page Count: 304
Publisher: Scribner
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
