by Annie Jacobsen ‧ RELEASE DATE: March 26, 2024
An urgent warning guaranteed to cause nightmares—and frustrating, since we’re all powerless in the face of nuclear weapons.
A scarifying, play-by-play exercise in gaming an apocalyptic war.
When the Cold War ended, military tacticians pronounced nuclear warfare a thing of the past. Instead, writes Jacobsen, author of The Pentagon’s Brain, Area 51, and Operation Paperclip, the threat of nuclear holocaust is ever with us. Her scenario—based, she notes, on facts that will lead readers “to the razor’s edge of what can legally be known”—begins with a single thermonuclear missile landing on the Pentagon, atomizing millions of Washingtonians far out into the distant suburbs. That scenario hinges on the gamed-out supposition that it will be a rogue North Korea that fires a single offending missile, one hard to detect given that the existing technology can track the heat signature of a “hot” missile and perhaps shoot it down if given a time frame of five minutes, after which, as one technician says, “they cannot see the rocket after the rocket motor stops.” Still worse is to come, for in a counterlaunch that would surely vaporize North Korea with overwhelming force, Russia, fearing that some of those American rockets are heading its way, might launch a retaliatory strike that would unleash every available resource in the arsenal of both nations—collectively capable of destroying humankind hundreds of times over. Updating Orville Schell’s groundbreaking (and better written) 1982 book The Fate of the Earth, Jacobsen then outlines the very rapid collapse of civilization and the erasure of all our technologies—no more electricity grid, no more industrially farmed food, certainly no more internet—all leading to a world in which “only the ruthless survive” and in which “everyone loses. Everyone.” It’s a cheerless prognosis; however, by Jacobsen’s account, it’s altogether plausible.
An urgent warning guaranteed to cause nightmares—and frustrating, since we’re all powerless in the face of nuclear weapons.Pub Date: March 26, 2024
ISBN: 9780593476093
Page Count: 400
Publisher: Dutton
Review Posted Online: March 26, 2024
Kirkus Reviews Issue: May 1, 2024
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by Bill Maher ‧ RELEASE DATE: May 21, 2024
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.
The comedian argues that the arts of moderation and common sense must be reinvigorated.
Some people are born snarky, some become snarky, and some have snarkiness thrust upon them. Judging from this book, Maher—host of HBO’s Real Time program and author of The New New Rules and When You Ride Alone, You Ride With bin Laden—is all three. As a comedian, he has a great deal of leeway to make fun of people in politics, and he often delivers hilarious swipes with a deadpan face. The author describes himself as a traditional liberal, with a disdain for Republicans (especially the MAGA variety) and a belief in free speech and personal freedom. He claims that he has stayed much the same for more than 20 years, while the left, he argues, has marched toward intolerance. He sees an addiction to extremism on both sides of the aisle, which fosters the belief that anyone who disagrees with you must be an enemy to be destroyed. However, Maher has always displayed his own streaks of extremism, and his scorched-earth takedowns eventually become problematic. The author has something nasty to say about everyone, it seems, and the sarcastic tone starts after more than 300 pages. As has been the case throughout his career, Maher is best taken in small doses. The book is worth reading for the author’s often spot-on skewering of inept politicians and celebrities, but it might be advisable to occasionally dip into it rather than read the whole thing in one sitting. Some parts of the text are hilarious, but others are merely insulting. Maher is undeniably talented, but some restraint would have produced a better book.
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.Pub Date: May 21, 2024
ISBN: 9781668051351
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: March 5, 2024
Kirkus Reviews Issue: April 1, 2024
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by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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