None
The wife of a notorious Ponzi schemer (think Ruth Madoff, but 20 years younger) hides out from aggrieved investors on Hilderbrand’s home turf, Nantucket.
Meredith Delinn is rescued from her Park Avenue penthouse in the middle of the night after a frantic phone call to her estranged childhood friend Connie. Her husband, Freddy Delinn, has been sentenced to 150 years in a federal penitentiary, and marshals are coming to seize the penthouse and everything in it. Connie, who, with her late husband, famed architect Wolf, had withdrawn their money from Delinn’s fund just in time (whence the estrangement), spirits Meredith off to her Nantucket beachfront retreat. Meredith’s not doing well; she’s even been blackballed by her hairdressers and forced to live without highlights. Investors who formerly hounded her to persuade Freddy to accept their money now howl for her immolation. Even in disguise, she can’t get a pedicure at a Nantucket salon without being called out by an outraged victim. The narrative unfolds from the alternating POVs of Meredith and Connie. While coping with current crises, both women reflect on how their adolescent years shaped the present. Besides her adored father, the most important person in Meredith’s teenage life was Toby, Connie’s charismatic brother, who broke her heart. Instead she married Freddy, her fellow Princetonian. The couple struggled whilst Freddy founded his first hedge fund, but suddenly their fortunes soared. (Too suddenly, Meredith belatedly reflects.) Connie, who grew up in the same Philadelphia Main Line milieu as Meredith, is consumed by grief and regret after Wolf’s death from cancer. Her daughter Ashlyn, whose lesbianism sits ill with Connie, hasn’t spoken to her since Wolf’s funeral. Soused on chardonnay, Connie almost scuttles her first chance at new romance. And Meredith is not so much an example of innocence wronged as passivity repaid. Although the timely premise titillates, the story soon degenerates into just another redemptive middle-aged reconciliation of past and present, complete with many bromidic meditations on the true nature of love. Beach-ready reading.
NonePub Date: June 21, 2011
ISBN: 978-0-316-09966-0
Page Count: 416
Publisher: Reagan Arthur/Little, Brown
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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