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EVERYONE WHO IS GONE IS HERE

THE UNITED STATES, CENTRAL AMERICA, AND THE MAKING OF A CRISIS

A sobering, well-reported history in which no one emerges a winner.

A New Yorker staff writer examines the tragedy of Central America against the backdrop of U.S. immigration policy.

From the beginning, the U.S. has meddled in the affairs of Central America’s nations, some of them autocracies. This tinkering, particularly in the Reagan years, led to murder, civil war, and, decades later, a stream of migrants desperate to flee rampant poverty and violence. “For more than a century, the U.S. has devised one policy after another to keep people out of the country,” writes Blitzer. “For more than a century, it has failed.” Elements of Jimmy Carter's foreign policy were so oppressive that Salvadoran government torturers called one technique “the Carter,” and Barack Obama kept many of George W. Bush’s brutal policies in place. Even as American politicians wrestled with developing a comprehensive immigration policy with paths to citizenship, Central Americans continued to enter the U.S., many to be lost to gang violence. “By the early 1990s,” writes the author, “gang-related killing accounted for more than a third of all homicides in Los Angeles County.” After deportation, gang members and their victims alike became raw meat in the violence that continued to envelop El Salvador and Honduras. In the former country, the MS-13 gang, feared in immigrant communities in the U.S. just as much as back home, killed 87 people in just 72 hours, while a government crackdown reiterated the vicious suppression of the civil war years. Meanwhile, conditions on the U.S.–Mexico border have worsened as thousands of Central Americans clamor to enter the U.S., braving diversion tactics that have included separating children from their families and placing adults in conditions that resemble concentration camps. It’s a sorrowful yet urgent topic, and Blitzer navigates it with both journalistic rigor and compassion.

A sobering, well-reported history in which no one emerges a winner.

Pub Date: Jan. 30, 2024

ISBN: 9781984880802

Page Count: 544

Publisher: Penguin Press

Review Posted Online: Nov. 7, 2023

Kirkus Reviews Issue: Dec. 15, 2023

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WHAT THIS COMEDIAN SAID WILL SHOCK YOU

Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.

The comedian argues that the arts of moderation and common sense must be reinvigorated.

Some people are born snarky, some become snarky, and some have snarkiness thrust upon them. Judging from this book, Maher—host of HBO’s Real Time program and author of The New New Rules and When You Ride Alone, You Ride With bin Laden—is all three. As a comedian, he has a great deal of leeway to make fun of people in politics, and he often delivers hilarious swipes with a deadpan face. The author describes himself as a traditional liberal, with a disdain for Republicans (especially the MAGA variety) and a belief in free speech and personal freedom. He claims that he has stayed much the same for more than 20 years, while the left, he argues, has marched toward intolerance. He sees an addiction to extremism on both sides of the aisle, which fosters the belief that anyone who disagrees with you must be an enemy to be destroyed. However, Maher has always displayed his own streaks of extremism, and his scorched-earth takedowns eventually become problematic. The author has something nasty to say about everyone, it seems, and the sarcastic tone starts after more than 300 pages. As has been the case throughout his career, Maher is best taken in small doses. The book is worth reading for the author’s often spot-on skewering of inept politicians and celebrities, but it might be advisable to occasionally dip into it rather than read the whole thing in one sitting. Some parts of the text are hilarious, but others are merely insulting. Maher is undeniably talented, but some restraint would have produced a better book.

Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.

Pub Date: May 21, 2024

ISBN: 9781668051351

Page Count: 384

Publisher: Simon & Schuster

Review Posted Online: March 5, 2024

Kirkus Reviews Issue: April 1, 2024

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BEYOND THE GENDER BINARY

From the Pocket Change Collective series

A fierce, penetrating, and empowering call for change.

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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.

The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.

A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)

Pub Date: June 2, 2020

ISBN: 978-0-593-09465-5

Page Count: 64

Publisher: Penguin Workshop

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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