A lovingly narrated, sharply nuanced memoir from a talented activist.
A Pashtun girls’ education advocate and tribal leader reflects on Afghanistan's uncertain future.
Despite being a “third-generation refugee,” Durrani considers herself “privileged.” The daughter of an influential tribal leader, she grew up in a home large enough to dedicate two rooms to a family-run community school—despite the fact that her family owned land in Pakistan where they could have lived. Although Durrani understood that “educating girls was our family business,” it wasn’t until her 9-year-old friend and academic rival was forced to drop out of school to marry a widower in his late 30s that Durrani’s interest in this field went from professional to personal. “If you’re a tribal woman,” she writes, “the bar for activism is low. Trained our entire lives to be neither seen nor heard, whenever one of us tries to raise her voice, it becomes a political act.” Much to her mother’s dismay, the author’s dedication to girls’ education was so intense that she turned down a prestigious college preparation program at Oxford to start a nonprofit organization that used pre-loaded, solar-powered tablets to deliver educational content to Afghan girls who were unable to access formal schooling. When the pandemic, the American military withdrawal from Afghanistan, and—most devastatingly—her father’s unexpected death threatened the group’s future and her family’s financial security, Durrani was forced to choose between her mission and her life. Written with the assistance of veteran war correspondent Bralo, the text offers consistently adept observations, whether describing a dangerous border crossing as a mission that “required a Beyoncé-like number of wardrobe changes” or trenchantly illustrating how the widely underestimated tribal culture was, in fact, nimbler than the Afghani government and Western aid. Durrani’s voice sparkles with humor and grit, and she is a gifted storyteller, equally comfortable analyzing Afghanistan’s gender inequity and defending the strengths of the oft-underestimated culture and country she loves.
A lovingly narrated, sharply nuanced memoir from a talented activist.Pub Date: Feb. 20, 2024
ISBN: 9780806542447
Page Count: 288
Publisher: Citadel/Kensington
Review Posted Online: March 3, 2023
Kirkus Reviews Issue: April 1, 2023
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.
The comedian argues that the arts of moderation and common sense must be reinvigorated.
Some people are born snarky, some become snarky, and some have snarkiness thrust upon them. Judging from this book, Maher—host of HBO’s Real Time program and author of The New New Rules and When You Ride Alone, You Ride With bin Laden—is all three. As a comedian, he has a great deal of leeway to make fun of people in politics, and he often delivers hilarious swipes with a deadpan face. The author describes himself as a traditional liberal, with a disdain for Republicans (especially the MAGA variety) and a belief in free speech and personal freedom. He claims that he has stayed much the same for more than 20 years, while the left, he argues, has marched toward intolerance. He sees an addiction to extremism on both sides of the aisle, which fosters the belief that anyone who disagrees with you must be an enemy to be destroyed. However, Maher has always displayed his own streaks of extremism, and his scorched-earth takedowns eventually become problematic. The author has something nasty to say about everyone, it seems, and the sarcastic tone starts after more than 300 pages. As has been the case throughout his career, Maher is best taken in small doses. The book is worth reading for the author’s often spot-on skewering of inept politicians and celebrities, but it might be advisable to occasionally dip into it rather than read the whole thing in one sitting. Some parts of the text are hilarious, but others are merely insulting. Maher is undeniably talented, but some restraint would have produced a better book.
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.Pub Date: May 21, 2024
ISBN: 9781668051351
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: March 5, 2024
Kirkus Reviews Issue: April 1, 2024
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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