An arresting account of Black ambition and endurance from an important new voice in narrative nonfiction.
A unique synthesis of memoir and a history of the 1921 Tulsa Race Massacre.
Tulsa native Young, a FOX Sports analyst, offers an ambitious, forceful continuance of his debut memoir, Let It Bang, focused on his development as a consciously Black writer while dogged by the massacre’s uneasy centennial. The author opens with the horrific flashpoint, in which an ambiguous encounter between a Black boy and a White girl spiraled into an attempted lynching followed by the coordinated destruction of the Greenwood district, the so-called Black Wall Street, by the National Guard and White citizens. Decades of denial suggested premeditation motivated by envy over the accomplishments of the Greenwood community. “White folks decided they’d had enough of the luminous district many saw as a leprosy,” writes Young, “and they aimed to kill it.” In addition to recounting the history, Young interweaves a jaundiced, potent examination of his own upbringing. He rebelled gradually against his conservative churchgoing parents as he endured a casually menacing racism that reflected the legacy of the massacre. Yet while enduring poverty, depression, and a failed marriage in his 20s, he found improbable salvation in Oklahoma’s athletic tradition, breaking through as a sportswriter and radio personality. In the final chapters, Young highlights his emotional disbelief over the tone-deaf centennial celebration. “No one outside of this place much cares what happens to it,” he writes, “only what had once happened to it when white Tulsans murdered Black Tulsans.” The author also reflects thoughtfully on thorny subtopics ranging from interracial relationships to Donald Trump’s grotesque return to the rally stage, in Tulsa, at the height of the pandemic. The swerve toward the personal is occasionally jarring, but the author’s prose is consistently acute and his societal analysis, astute. “To be a Black American,” he writes, “is to want some of what white folks have and to hate yourself for wanting it all at once.”
An arresting account of Black ambition and endurance from an important new voice in narrative nonfiction.Pub Date: Nov. 1, 2022
ISBN: 978-1-64009-502-1
Page Count: 336
Publisher: Counterpoint
Review Posted Online: Aug. 30, 2022
Kirkus Reviews Issue: Sept. 15, 2022
BOOK REVIEW
PERSPECTIVES
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.
The comedian argues that the arts of moderation and common sense must be reinvigorated.
Some people are born snarky, some become snarky, and some have snarkiness thrust upon them. Judging from this book, Maher—host of HBO’s Real Time program and author of The New New Rules and When You Ride Alone, You Ride With bin Laden—is all three. As a comedian, he has a great deal of leeway to make fun of people in politics, and he often delivers hilarious swipes with a deadpan face. The author describes himself as a traditional liberal, with a disdain for Republicans (especially the MAGA variety) and a belief in free speech and personal freedom. He claims that he has stayed much the same for more than 20 years, while the left, he argues, has marched toward intolerance. He sees an addiction to extremism on both sides of the aisle, which fosters the belief that anyone who disagrees with you must be an enemy to be destroyed. However, Maher has always displayed his own streaks of extremism, and his scorched-earth takedowns eventually become problematic. The author has something nasty to say about everyone, it seems, and the sarcastic tone starts after more than 300 pages. As has been the case throughout his career, Maher is best taken in small doses. The book is worth reading for the author’s often spot-on skewering of inept politicians and celebrities, but it might be advisable to occasionally dip into it rather than read the whole thing in one sitting. Some parts of the text are hilarious, but others are merely insulting. Maher is undeniably talented, but some restraint would have produced a better book.
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.Pub Date: May 21, 2024
ISBN: 9781668051351
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: March 5, 2024
Kirkus Reviews Issue: April 1, 2024
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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