A quiet, positive story that opens a window into what it can look and feel like to grow up in a biracial, multinational...
Maisie has the best of many worlds in her multiracial family.
A brown-skinned little girl with puffy Afro hair, Maisie begins her scrapbook with small watercolor portraits of her family in the front endpapers: Mama and Dada as children and several pictures of Maisie’s younger self. She writes that she is “the little girl who saves the world from Ananse the spider” and whose mama tells her “a bull is not a pet.” This sets the stage for the contrasts between her parents: Her dark-skinned West African dada takes her on regular flights of fancy, while her white mama keeps her grounded and safe. Despite their differences, both parents love her dearly. Dada plays a marimba, Mama plays viola, and Maisie plays maracas—this family embraces global music. The Sankofa bird and the Ghanaian Adinkra symbol Gye Nyame (“except for God”) appear in the illustrations, both of which relate to going back and fetching the past to find a way forward—a likely motivation for Dada’s African stories. In the mixed-media illustrations, the outdoor and fantasy scenes fill the pages with color and contrast with Maisie’s time indoors, where entertaining herself seems to present a slight challenge.
A quiet, positive story that opens a window into what it can look and feel like to grow up in a biracial, multinational family that’s rich in story . (Picture book. 3-6)Pub Date: March 5, 2019
ISBN: 978-1-911373-57-5
Page Count: 32
Publisher: Lantana
Review Posted Online: Jan. 14, 2019
Kirkus Reviews Issue: Feb. 1, 2019
BOOK REVIEW
BOOK REVIEW
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
SEEN & HEARD
A disappointing follow-up.
Inventor Izzy Gizmo is back in this sequel to her eponymous debut (2017).
While busily inventing one day, Izzy receives an invitation from the Genius Guild to their annual convention. Though Izzy’s “inventions…don’t always work,” Grandpa (apparently her sole caregiver) encourages her to go. The next day they undertake a long journey “over fields, hills, and waves” and “mile after mile” to isolated Technoff Isle. There, Izzy finds she must compete against four other kids to create the most impressive machine. The colorful, detail-rich illustrations chronicle how poor Izzy is thwarted at every turn by Abi von Lavish, a Veruca Salt–esque character who takes all the supplies for herself. But when Abi abandons her project, Izzy salvages the pieces and decides to take Grandpa’s advice to create a machine that “can really be put to good use.” A frustrated Izzy’s impatience with a friend almost foils her chance at the prize, but all’s well that ends well. There’s much to like: Brown-skinned inventor girl Izzy is an appealing character, it’s great to see a nurturing brown-skinned male caregiver, the idea of an “Invention Convention” is fun, and a sustainable-energy invention is laudable. However, these elements don’t make up for rhymes that often feel forced and a lackluster story.
A disappointing follow-up. (Picture book. 3-6)Pub Date: March 1, 2020
ISBN: 978-1-68263-164-5
Page Count: 32
Publisher: Peachtree
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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